Posts Tagged ‘No-Wave’

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Sonic Youth – EVOL

Friday, August 19, 2011

EVOL (1986)

Sonic Youth is the only band I’ve driven over three hours to see, by myself. I hate driving, and I hate being by myself, so that speaks volumes for how much I adore this band. I waited anxiously for the band to begin – I was going crazy with no one to talk to. Just as I started to wonder if I had made a mistake, the band came on. The first few strains of “Tom Violence” shook the entire room, all doubt was dispelled. Seeing Sonic Youth live was a treat – especially when they closed with “Cross the Breeze.”

I can’t exactly remember the first time I listened to EVOL. I must have been a sophomore or junior in college. It didn’t strike me immediately, as did Daydream Nation or Sister. It was definitely a grower. But this is a psychotic and edgy trip. It’s like Sister, but rawer.  The lyrics are just as fascinating as the perfect blend of melody and noise. They could just be read for their own sake=. As the album title suggests,  a sense of foreboding and doom hangs over the whole album,  like there’s a horror movie going on in your mind, like an eighteen wheeler bearing down on you, but your frozen in place, like a vampire hypnotizing you before it bites into your neck. This album is a storm.

Every song on the album is good and worth listening to. “Shadow of a Doubt” is an absolute masterpiece, a bipolar trip that shifts between chilling guitar plucking and piano to a release of screaming and guitar riffage. “In the Kingdom” completely defies me to explain – it would probably take me another two hours to just write two sentences that can somewhat accurately describe the song.

There are so many intricate details that you could listen to this forty times and still pick out something new – and that, at least, is what has kept me coming back, much like all of Sonic Youth’s stuff I’ve had the pleasure of listening to.

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Sonic Youth – Sister

Monday, March 30, 2009
Sister (1987)

Sister (1987)

[This review originally appeared on Blogcritics. To see it there, click here.]

It’s 1987 and a new force is taking over music. Since the early eighties, Sonic Youth had been gaining steam in the noise and alternative scene, and in 1991 all it took is the spark of Nirvana to set the revolution off. But four years before that fateful event changed the alternative dream forever, Sonic Youth released Sister, continuing in the vein of their previous releases of EVOL and Bad Moon Rising by experimenting, ironically, by making their music catchier and more accessible.

But don’t make the mistake by thinking this is an easy album to listen to.

Sister is absolutely brilliant and should not by any measure be taken lightly. I almost want to say “shame on you” to all the owners of Daydream Nation that have yet to dive back into Sonic Youth’s catalog and explore this album of utter, psychotic brilliance.

Speaking of psychotic, the album kicks off with the rocking opener, “Schizophrenia,” a trippy dirge of alternate guitar tunings and strange chords that give its driving beat a sort of madness. Despite being off-putting, “Schizophrenia” is also eerily calming. I can’t really do it justice by mere explanation – the song is absolutely brilliant.

“(I Got A) Catholic Block” is, hands down, one of the greatest songs I’ve ever heard. Its angry, honest, and I want to even say primeval sounding, because it somehow touches something deep and instinctual, repressed since the dawn of human consciousness. If I could use one word to describe the song, it would probably just be “intense,” as cliche and overused that word is used to describe music. Anyway, just like the first song, I feel like I’m failing miserably at describing its greatness.

Track four, “Stereo Sanctity” is yet another highlight of Sister. Like “Catholic Block,” it has an eerie, intense, driving beat that makes me feel fire in my belly, but if you were to ask me why it did, I wouldn’t be able to explain. Sonic Youth is, to me, more intense than any metal music out there. Though it’s not as heavy, just what they do with their notes and their blasts of noise just sort of throws me off and shakes my perception of how I see things. Any music like that entrances me.

Probably the most ethereal song on the album is track seven, “Pacific Coast Highway.” Kim Gordon does well here – most of the songs she writes for the band don’t really do it for me, but she has her occasional moments of brilliance. “Pacific Coast Highway” is one example of that. Starting off hard and intense, it eases and slows, then going back to its original intensity. It’s just a cool song.

Love it or hate it, there’s a song after “Pacific Coast Highway” called “Hot Wire My Heart” that is a demented sort of pop. I like the song, but at first couldn’t really recognize whether or not it was even music. Sonic Youth has that effect on me.

I’ve only gone through some of the highlights of Sister, but it’s a great listen and will probably surprise and maybe even scare you. Sister is considered by many to be Sonic Youth’s best, Daydream Nation or no. I prefer just to let each album stand on its own – they are both just different manifestations of the same creative genius that is Sonic Youth.

Regardless, picking this album up would be a great investment in great music, great music meaning chaotic and noisy while still having the hooks that makes it catchy in some strange messed up way.