Sonic Youth is the only band I’ve driven over three hours to see, by myself. I hate driving, and I hate being by myself, so that speaks volumes for how much I adore this band. I waited anxiously for the band to begin – I was going crazy with no one to talk to. Just as I started to wonder if I had made a mistake, the band came on. The first few strains of “Tom Violence” shook the entire room, all doubt was dispelled. Seeing Sonic Youth live was a treat – especially when they closed with “Cross the Breeze.”
I can’t exactly remember the first time I listened to EVOL. I must have been a sophomore or junior in college. It didn’t strike me immediately, as did Daydream Nation or Sister. It was definitely a grower. But this is a psychotic and edgy trip. It’s like Sister, but rawer. The lyrics are just as fascinating as the perfect blend of melody and noise. They could just be read for their own sake=. As the album title suggests, a sense of foreboding and doom hangs over the whole album, like there’s a horror movie going on in your mind, like an eighteen wheeler bearing down on you, but your frozen in place, like a vampire hypnotizing you before it bites into your neck. This album is a storm.
Every song on the album is good and worth listening to. “Shadow of a Doubt” is an absolute masterpiece, a bipolar trip that shifts between chilling guitar plucking and piano to a release of screaming and guitar riffage. “In the Kingdom” completely defies me to explain – it would probably take me another two hours to just write two sentences that can somewhat accurately describe the song.
There are so many intricate details that you could listen to this forty times and still pick out something new – and that, at least, is what has kept me coming back, much like all of Sonic Youth’s stuff I’ve had the pleasure of listening to.