Just to start, “Origin of Symmetry” is a really cool name for an album.
This is Muse at their most racauous and space rocky prime. Way back in the day I was really obsessed with Muse I listened to this album all the time, and listening to it today I still catch the feeling of older times, where everything seemed a lot more simple… sigh.
Anyway, since I can’t go back, I can still always pick a song off this album and go back in my mind. Not saying I do that often, just when the mood strikes.
Muse are one of the best bands out there that can rock really hard but be very catchy. Origin of Symmetry is Muse at their best. The sound here is a little rougher than anything else they’ve done, but that’s what makes Origin of Symmetry so great to me. The first seven tracks up to “Micro Cuts” is an absoulte rollercoaster. “New Born,” “Bliss,” “Space Dementia,” “Hyper Music,” Plug-In Baby,” “Citizen Erased,” (woot!), and finally “Micro Cuts.”
From there, admittedly, the album goes a bit downhill, but the songs are still good, “Megalomania” probably topping the second half as the best.
This album plays to Muse’s greatest strengths: Matthew Bellamy’s jaw-dropping falsetto on “Micro Cuts,” the sheer epicness of “Citizen Erased,” the pop masterpiece that is “Plug in Baby,” the higly experiemental, Rachominoff-inspred “Space Dementia,” this album is just “wow” all the way through.
I’m sort of sad about Muse in a way. I listened to them way too much (overdosed, if you will), and now they are not as interesting and fun as they used to be to me. Same goes for Radiohead and Explosions in the Sky, along with some other bands I’m sure.
Origin of Symmetry is an important album to me. Lots of good memories are tied into its notes.