I write this, actually, while listening to Loaded.
I’ll have to admit this took a while for this one to grow on me. It was hard for me to step beyond the dreamy xylophone (that’s what that instrument is, right?) that opens “Sunday Morning.” What a beautiful song. It evokes what Sunday morning is to me – kind of sad day (maybe because Monday is the next day), but strangely peaceful and slow.
Finally, I’ve given it more of a listen, this is quickly becoming one of my favorite albums ever. Not only is it a historic album (punk and noise can trace their beginnings here), but it is a very good album that’s still enjoyable today. Because even today, there is nothing else that quite sounds like it.
This album has some rockers: “Waiting for the Man,” and “Run Run Run,” but it’s the more experimental stuff that I really like. I absolutely adore “Venus in Furs” and its S&M themes (“strike, dear mistress, and cure his heart”). The lyrics are kind of trashy, but it’s the strings, the beat, and the vibe that absolutely makes this song. I’ve never heard anything like it. It gets even darker with “Heroin” but for some reason that song never struck me as much.
At points the album can get slow and sweet, with “I’ll Be Your Mirror” and “All Tomorrow’s Parties”. It gets downright wtf with the closer track “European Son” where it’s an all out noise fest. Sometimes I feel if Sonic Youth had been a band twenty years earlier they would have been a lot like the Velvet Underground.
Yeah…this is a group I’ll have to check out more. Definitely a treasure of the late sixties/early seventies.